Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed with films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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Phallus indusiatus, commonly called the basket stinkhorn, bamboo mushrooms, bamboo pith, long net stinkhorn, crinoline stinkhorn, bridal veil, or veiled lady, is a fungus in the family Phallaceae, or stinkhorns. It has a cosmopolitan distribution in tropical areas, and is found in southern Asia, Africa, the Americas, and Australia, where it grows in woodlands and gardens in rich soil and well-rotted woody material. The fruit body of the fungus is characterised by a conical to bell-shaped cap on a stalk and a delicate lacy "skirt", or indusium, that hangs from beneath the cap and reaches nearly to the ground. First described scientifically in 1798 by French botanist Étienne Pierre Ventenat, the species has often been referred to a separate genus Dictyophora along with other Phallus species featuring an indusium. P. indusiatus can be distinguished from other similar species by differences in distribution, size, color, and indusium length.
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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A Yuan-era stele in the ruins of the Cross Temple. Another stele (left) and some scattered groundwork (right) are visible in the background.
The Cross Temple (Chinese: 十字寺; pinyin: Shízì sì) is a former place of worship in Fangshan, Beijing. The temple was used during different periods by Buddhists and early Chinese Christians. Though it was originally built as a Buddhist temple, some scholars hypothesise that it saw Christian use during the Tang dynasty (618–907). The temple was used by Buddhists during the Liao dynasty (916–1125) and by Christians during the Yuan dynasty (1271–1368). It returned to Buddhist use during the Ming dynasty (1368–1644), before being sold in 1911. It was first recorded in modern scholarship in 1919, damaged during the Cultural Revolution, and re-established as a national-level protected site in 2006. Some scholars consider it to be the only place of worship of the Church of the East (also known as Nestorian Christianity) discovered in China.
Today, the site features two ancient steles, as well as groundwork and the bases of several pillars. The steles date to the Liao and Yuan dynasties, but their inscriptions were tampered with during the Ming. During the early 20th century, two stone blocks carved with crosses and other patterns were also discovered at the site, with one of them also bearing an inscription in Syriac. The blocks are presently on display at the Nanjing Museum. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
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Nicole Cooke, gold medalist
The women's road race was one of the cycling events at the 2008 Summer Olympics in Beijing, China. It took place on 10 August 2008, featuring 66 women from 33 countries. It was the seventh appearance of an Olympic women's road race event and featured a longer course than any of the previous six races. The race was run on the Urban Road Cycling Course (one of Beijing's nine temporary venues), which is 102.6 kilometres (63.8 mi) total. Including a second lap around the 23.8 km (14.8 mi) final circuit, the total distance of the women's race was 126.4 km (78.5 mi), less than half the length of the men's race.
Heavy rain during most of the race made conditions difficult for the competitors. A group of five broke away during the final lap and worked together until the final sprint, where Nicole Cooke won the race. Cooke earned Great Britain's first medal at these Games and 200th Olympic gold medal overall. Emma Johansson of Sweden and Tatiana Guderzo of Italy, finishing second and third place with the same time as Cooke, received silver and bronze medals respectively. (Full article...)
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Engravings on a cliff-side near a widely accepted candidate site for the battlefield, in the vicinity of Chibi, Hubei. The engravings are at least 1000 years old, and include the Chinese characters 赤壁 ('red cliffs') written from right to left.
The Battle of Red Cliffs, also known as the Battle of Chibi, was a decisive naval battle in China that took place during the winter of AD 208–209. It was fought on the Yangtze River between the forces of warlords controlling different parts of the country during the end of the Han dynasty. The allied forces of Sun Quan, Liu Bei, and Liu Qi based south of the Yangtze defeated the numerically superior forces of the northern warlord Cao Cao. By doing so, Liu Bei and Sun Quan prevented Cao Cao from conquering any lands south of the Yangtze, frustrating Cao Cao's efforts to reunify the territories formerly held by the Eastern Han dynasty.
The allied victory at Red Cliffs ensured the survival of Liu Bei and Sun Quan and left them in control of the Yangtze, establishing defensible frontiers that would later serve as the basis for the states of Shu Han and Eastern Wu during the Three Kingdoms period (220–280). Historians have arrived at different conclusions in their attempts to reconstruct the timeline of events at Red Cliffs. The location of the battlefield itself remains a subject of debate: most scholars consider either a location southwest of present-day Wuhan, or a location northeast of Baqiu in present-day Yueyang, Hunan as plausible candidate sites for the battle. The battle has been the subject of or influenced numerous poems, dramas, movies and games. (Full article...)
Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
St. Michael's Cathedral (German: Kathedrale St. Michael; Chinese: 圣弥爱尔大教堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road, on the east side of Zhongshan Road in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century.
St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
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With the pale yellow rump visible. Buryatia, Russia.
Pallas's leaf warbler is one of the smallest Palearcticwarblers, with a relatively large head and short tail. It has greenish upperparts and white underparts, a lemon-yellow rump, and yellow double wingbars, supercilia and central crown stripe. It is similar in appearance to several other Asian warblers, including some that were formerly considered to be subspecies of it, although its distinctive vocalisations aid identification. (Full article...)
...that when Tang dynasty general Zhang Yi signed a peace treaty with Tufan, he made an offering of goats instead of the customary cattle and horses because he was embarrassed to be dealing with "barbarians"?
White Rabbit Creamy Candy (Chinese: 大白兔奶糖; pinyin: Dàbáitù Nǎitáng) is a brand of milk candy manufactured by Shanghai Guan Sheng Yuan Food, Ltd. (Chinese: 上海冠生园食品有限公司; pinyin: Shànghǎi Guānshēngyuán Shípǐn Yǒuxiàn Gōngsī), in China. It is an iconic cultural brand and has been in production since 1943. White Rabbit candy is part of the childhood memories of many mainlanders and Hong Kongers, and has been featured in many classic Chinese movies and TV series. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
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Caleb Vance Haynes (March 15, 1895 – April 5, 1966) was a United States Air Force (USAF) major general. The grandson of Chang Bunker, a famous Siamese Twin, he served in the Air Force as an organizer, able to create air units from scratch. He commanded a large number of groups, squadrons and task forces before, during and after World War II.
In the 1930s, Haynes, a rated command pilot, led experimental long-range over-water interception flights that were key to the development of U.S. air defense doctrine. Haynes demonstrated by piloting one of the bombers that intercepted the Italian liner SS Rex that enemy ships could be located and sunk by American aircraft. As well, Haynes helped promote air power by flying long range missions to various countries in South America. (Full article...)
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The 2010 Shanghai fire was a fire on 15 November 2010 that destroyed a 28-story high-rise apartment building in the heart of Shanghai, China, killing at least 58 people and injuring more than 70 others (with at least one source reporting more than 120 others injured). Most of the residents were retired state school senior educators. It is remembered as an iconic high-rise fire in China in the 2010s.
An investigation under the PRC State Council was announced on 16 November, the day after the fire, to determine the cause of the blaze. A preliminary finding by investigators concluded that sparks from welding work being done on the building, undertaken by unlicensed welders, ignited scaffolding around the structure, which led to the apartments' destruction. The municipal government also placed the blame on illegal multi-layered subcontracting, and detained four managers from several construction companies. In all, sixteen individuals have been arrested in connection to the fire, as well as four others accused of being unlicensed welders. (Full article...)
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Hu Lanqi in 1937, when she was awarded the rank of Major General
Hu Lanqi (Chinese: 胡兰畦; pinyin: Hú Lánqí; Wade–Giles: Hu Lan-ch'i; 1901 – 13 December 1994), also spelled Hu Lanxi, was a Chinese writer and military leader. She joined the National Revolutionary Army in 1927 and the Chinese branch of the Communist Party of Germany in 1930. She was imprisoned by Nazi Germany in 1933 and wrote an influential memoir of her experience, for which she was invited by Maxim Gorky to meet him in Moscow. After the outbreak of the Second Sino-Japanese War in 1937, she organized a team of women soldiers to resist the Japanese invasion, and became the first woman to be awarded the rank of Major General by the Republic of China. She supported the Communists during the Chinese Civil War, but was persecuted in Mao Zedong's political campaigns following the Communist victory in mainland China. She survived the Cultural Revolution to see her political rehabilitation, and published a detailed memoir of her life in the 1980s.
Based on her early life, the writer Mao Dun wrote the novel Rainbow (1929), whose heroine, Mei, would become more famous than Hu herself. (Full article...)
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Casts of the teeth of Yuanmou Man
Yuanmou Man (simplified Chinese: 元谋人; traditional Chinese: 元謀人; pinyin: Yuánmóu Rén, Homo erectus yuanmouensis) is a subspecies of H. erectus which inhabited the Yuanmou Basin in Yunnan Province, southwestern China, roughly 1.7 million years ago. It is the first fossil evidence of humans in China, though they probably reached the region by at least 2 million years ago. Yuanmou Man is known only from two upper first incisors presumed to have belonged to a male, and a partial tibia presumed to have belonged to a female. The female may have stood about 123.6–130.4 cm (4 ft 1 in – 4 ft 3 in) in life. These remains are anatomically quite similar to those contemporary early Homo in Africa, namely H. habilis and H. (e?) ergaster.
Yuanmou Man inhabited a mixed environment featuring grassland, bushland, marshland, and forest dominated by pine and alder. They lived alongside chalicotheres, deer, the elephant Stegodon, rhinos, cattle, pigs, and the giant short-faced hyaena. The site currently sits at an elevation of 1,050–1,150 m (3,440–3,770 ft). They manufactured simple cores, flakes, choppers, pointed tools, and scrapers which paralleled the technology of their African contemporaries. (Full article...)
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Kiautschou Governor's Residence
Shinan District (Chinese: 市南区; pinyin: Shìnán Qū; lit. 'South City District') is an urban district of Qingdao, Shandong. It has an area of 30.01 square kilometres (7,420 acres; 11.59 sq mi), and had approximately 588,800 inhabitants as of 2019. Shinan is located in coastal hilled terrain, and has a temperate monsoon climate. Common features include moderate temperatures, moist air, abundant rainfall, and four distinct seasons. It is notable for its early 20th-century German architecture, unusual in Chinese cities.
In the mid-19th century the European powers forcibly opened China to foreign trade. Germany acquired the Kiautschou Bay concession from China in 1898, and substantially developed a fishing village they spelled "Tsingtao" (simplified Chinese: 青岛; traditional Chinese: 青島; pinyin: Qīngdǎo). The area built by the Germans falls into the part of Qingdao known today as Shinan District. (Full article...)
Entrance of the Underground City at Xidamochang Jie
The Underground City (Chinese: 地下城; pinyin: Dìxià Chéng; Wade–Giles: Ti4-hsia4 Chʻêng2) is a Cold War era bomb shelter consisting of a network of tunnels located beneath Beijing, China. It has also been referred to as the Underground Great Wall since it was built for the purpose of military defense. The complex was constructed from 1969 to 1979 in anticipation of a nuclear war with the Soviet Union, as Sino-Soviet relations worsened and was officially reopened in 2000. Visitors were allowed to tour portions of the complex, which has been described as "dark, damp, and genuinely eerie". Underground City has been closed for renovation since at least February 2008. (Full article...)
Fu (Chinese: 賦), often translated "rhapsody" or "poetic exposition", is a form of Chinese rhymed prose that was the dominant literary form in China during the Han dynasty (206 BC – AD220). Fu are intermediary pieces between poetry and prose in which a place, object, feeling, or other subject is described and rhapsodized in exhaustive detail and from as many angles as possible. They were not sung like songs, but were recited or chanted. The distinguishing characteristics of fu include alternating rhyme and prose, varying line lengths, close alliteration, onomatopoeia, loose parallelism, and extensive cataloging of their topics. Classical fu composers tended to use as wide a vocabulary as possible in their compositions, and therefore fu often contain rare and archaic Chinese words and characters.
The fu genre came into being around the 3rd to 2nd centuries BC and continued to be regularly used into the Song dynasty (960–1279). Fu were used as grand praises for the imperial courts, palaces, and cities, but were also used to write "fu on things", in which any place, object, or feeling was rhapsodized in exhaustive detail. The largest collections of historical fu are the Selections of Refined Literature (Wen xuan), the Book of Han, New Songs from the Jade Terrace, and official dynastic histories. (Full article...)
Lhasa is a prefecture-level city, one of the main administrative divisions of the Tibet Autonomous Region of China. It covers an area of 29,274 square kilometres (11,303 sq mi) of rugged and sparsely populated terrain. Its urban center is Lhasa, with around 300,000 residents, which mostly corresponds with the administrative Chengguan District, while its suburbs extend into Doilungdêqên District and Dagzê District. The consolidated prefecture-level city contains additional five, mostly rural, counties.
The city boundaries roughly correspond to the basin of the Lhasa River, a major tributary of the Yarlung Tsangpo River. It lies on the Lhasa terrane, the last unit of crust to accrete to the Eurasian plate before the continent of India collided with Asia about 50 million years ago and pushed up the Himalayas. The terrain is high, contains a complex pattern of faults and is tectonically active. The temperature is generally warm in summer and rises above freezing on sunny days in winter. Most of the rain falls in summer. The upland areas and northern grasslands are used for grazing yaks, sheep and goats, while the river valleys support agriculture with crops such as barley, wheat and vegetables. Wildlife is not abundant, but includes the rare snow leopard and black-necked crane. Mining has caused some environmental problems. (Full article...)
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Typhoon Chanchu near peak intensity on May 14
Typhoon Chanchu, known in the Philippines as Typhoon Caloy, was the most intense typhoon in the South China Sea in the month of May according to the Hong Kong Observatory (HKO). The first named storm of the 2006 Pacific typhoon season, Chanchu formed on May 8 in the vicinity of the Federated States of Micronesia and progressed westward. It gradually intensified into a tropical storm and later severe tropical storm before moving through the Philippines. On May 13, Chanchu entered the South China Sea and became a typhoon, according to the Japan Meteorological Agency (JMA). Warm waters and favorable outflow allowed the storm to quickly intensify to peak maximum sustained winds of 175 km/h (109 mph) on May 15. Around that time, the typhoon turned sharply to the north toward southeastern China. Chanchu weakened as it curved to the northeast, making landfall near Shantou, Guangdong on May 17 as a severe tropical storm. The government of China considered Chanchu the earliest typhoon to make landfall in the province. On the next day, the storm emerged into the East China Sea, becoming extratropical on May 19 before dissipating west of Kyushu.
Early in its duration, Chanchu moved through the Philippines, causing power outages and landslides in several islands. Despite a general warning against small boats sailing, a ferry departed Masbate and capsized due to the storm, killing 28 people. Throughout the country, 41 people died, and damage reached ₱117.57 million (PHP, US$2.15 million). While in the South China Sea, Chanchu caught many Vietnamese fisherman off guard, causing 17 ships to sink and damaging several others. Chinese ships assisted in the search-and-rescue mission, ultimately rescuing 330 fishermen from 22 boats; however, 21 bodies were found, and the remaining 220 missing were presumed killed. In southern China, flooding and strong winds from Chanchu wrecked about 14,000 houses and damaged over 190,000 ha (470,000 acres) of crop fields. Damage was heaviest in Shantou where it moved ashore, with flooding covering roads and entering hundreds of homes. Damage in China totaled ¥7 billion yuan (RMB, US$872 million), and there were 23 deaths. Rains from the typhoon killed two people in Taiwan after sweeping them up in a river, and crop damage there reached NT$158.88 million (NTD, US$5 million). Later, high waves killed one person in Okinawa and left another person missing, while rains extended into South Korea. (Full article...)
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The Liuhe Pagoda, or Six Harmonies Pagoda, in Hangzhou, 60 m (197 ft) in height, erected in 1156 and completed in 1165 AD The architecture of the Song dynasty (960–1279) was noted for its towering Buddhistpagodas, enormous stone and wooden bridges, lavish tombs, and extravagant palaces. Although literary works on architecture existed beforehand, architectural writing blossomed during the Song dynasty, maturing into a more professional form that described dimensions and working materials in a concise, organized manner. In addition to the examples still standing, depictions in Song artwork, architectural drawings, and illustrations in published books all aid modern historians in understanding the architecture of the period.
The professions of architect, master craftsman, carpenter, and structural engineer did not have the high status of the Confucian scholar-officials during the dynastic era. Architectural knowledge had been passed down orally for thousands of years, usually from craftsman fathers to their sons. There were also government agencies and schools for construction, building, and engineering. The Song dynasty's building manuals aided not only the various private workshops, but also the craftsmen employed by the central government. (Full article...)
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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. (Full article...)
The Jokhang (Tibetan: ཇོ་ཁང།, Chinese: 大昭寺), or the Ra sa 'phrul snang gtsug lag khang, or Qoikang Monastery, or Zuglagkang (Tibetan: གཙུག་ལག་ཁང༌།, Wylie: gtsug-lag-khang, ZYPY: Zuglagkang or Tsuklakang), is considered the "heart of Lhasa". The Jokhang consists of a Tibetan Buddhist temple, its temple complex, and a Gelug school monastery. Located in Barkhor Square, it was built in c.640 by King Songsten Gampo to house the Jowo Mikyo Dorje, a statue of Akshobhya Buddha, brought to Tibet by his Nepalese queen, Bhrikuti. Another statue, the Jowo Shakyamuni, brought by his Tang Chinese queen Wencheng, is currently housed in the temple and the Jowo Mikyo Dorje is housed in the Ramoche, in Lhasa.
Many Nepalese and Indian artists and craftsmen worked on the temple's original design and construction. Around the 14th century, the temple was associated with the Vajrasana in India. In the 18th century the Qianlong Emperor of the Qing dynasty, following the Nepalese Gorkha invasion of Tibet in 1792, did not allow the Nepalese to visit this temple and it became an exclusive place of worship for the Tibetans. During the Chinese Cultural Revolution in Tibet, the Red Guards attacked the Jokhang temple in 1966 and for a decade there was no worship. During the Chinese development of Lhasa, the Barkhor Square in front of the temple was encroached. Renovation of the Jokhang took place from 1972 to 1980. In 2000, the Jokhang became a UNESCOWorld Heritage Site as an extension of the Potala Palace, which has been a World Heritage Site since 1994. (Full article...)
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The Ten-Thousand Buddha Hall (Wànfó diàn) of Zhenguo Temple
Zhenguo Temple (Chinese: 镇国寺) is a Buddhist temple located 10 km from Pingyao in the village of Hadongcun, in Shanxi Province, China. The temple's oldest hall, the Wanfo Hall, was built in 963 during the Northern Han dynasty, and is notable for featuring very large brackets that hold up the roof and flying eaves. The sculptures inside the hall are among the only examples of 10th century Buddhist sculpture in China. (Full article...)
1997 – After nearly 18 years of incarceration, the People's Republic of China releases Wei Jingsheng, a pro-democracy dissident, from jail for medical reasons.
Image 39Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 44Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 52Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 53Range of Chinese dialect groups according to the Language Atlas of China. (from Chinese culture)
Image 54Tea caddy, Chinese - Indianapolis Museum of Art (from Chinese culture)
Image 55Hair Ornament, China, c. 19th century (from Chinese culture)
Image 62Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
President Bongbong Marcos signs into law the Maritime Zones Act and the Archipelagic Sea Lanes Act which defines the maritime entitlements of the Philippines and set designated sea lanes and air routes. China protests against the laws which is linked to territorial disputes in the South China Sea. (Reuters)(Nikkei Asia)
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National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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